play pause stop Download Interview with Heimo Zobernig Exhibition at Palacio de Velázquez Exhibitions
Concrete Invention. Patricia Phelps de Cisneros Collection January 2013 Gabriel Pérez-Barreiro, director of the Patricia Phelps de Cisneros Collection and curator of the exhibition Concrete Invention, provides an explanation of this show about the development of concrete abstraction in Latin America from the 1930s to the 1970s. Revolving around 4 countries –Argentina, Uruguay, Brazil and Venezuela– and five guiding concepts– Geometry, Dialogue, Ilusion, Universalism and Vibracion– the exhibition includes works such as “Book of Creation” by Lygia Pape or “Physichromie500” by Carlos Cruz-Díez, as well as some conceptual pieces like the iconic “Fio” by Cildo Meireles. Exhibitions
Mitsuo Miura. Imagined Memories March 2013 The artist Mitsuo Miura in Imagined memories, his intervention in Palacio de Cristal, he delves into two of the aesthetic themes that give expression to his artistic vocabulary: geometric shapes and pure colours. For this building, one of Museo Reina Sofía's two secondary sites in Parque del Retiro, his proposal begins on the pictorial level and extends to the spatial level, through circles of colours distributed on the floor and suspended from the ceiling. Exhibitions
Robert Adams: The Place We Live, a Retrospective Selection of Photographs January 2013 Joshua Chuang, the curator of the exhibition, leads viewers through this collection of photographs by Robert Adams. With a photographic style that is austere and direct yet also full of nuance and expressive potential, Robert Adams (Orange, New Jersey, 1937) has been widely regarded as one of the most lucid chroniclers of the profound changes taking place in the landscape of the American West in recent decades. The Place We Live, the first retrospective on Robert Adams to be held in Spain, takes a look at the main projects undertaken by this photographer Exhibitions
Kaira Cabañas and Frédéric Acquaviva on Specters of Artaud. Language and the Arts in the 1950s Lenguaje y arte en los años cincuenta September 2012 This exhibition looks at how Antonin Artaud's desire to transcend the limits of language – both spoken and written – lived on in the work of a series of creators linked to the avant-garde movements of the mid 20th century. The curators Kaira Cabañas and Frédéric Acquaviva take us through this selection that includes about three hundred works. Exhibitions
