play pause stop 00:00 00:00 Download The Story of Samba Martine 19 december, 2020 Samba Martine llegó a España en agosto de 2011, con 33 años. Activities
The Kind Cruelty León Ferrari, 100 Years This exhibition is a collective and polyphonic curatorial project that sets out a non-linear journey through the work of León Ferrari. Exhibitions
Oral History Rethinking Guernica The Oral History of Guernica is a collection in progress made up of first-hand testimonies through interviews with some of the figures involved in the most recent decades across the history of the painting, stretching from 1960 to the present day. The Collection
(Im)possible Counter-Archives Rethinking Guernica (Im)possible Counter-Archives sets forth a broad map of relations and connections that start from the political resignification of Guernica put into effect by different US artist-activist collectives at two specific junctures The Collection
Interview with Tony Shafrazi New York, 2019 Tony Shafrazi (Abadan, Iran, 1943), artist and art dealer. To the backdrop of the Vietnam War and its political and social impact in the late 1960s and early 1970s in the United States, Shafrazi explains the reasons behind his 1974 action protest against an anti-war icon such as Guernica.Access Oral History The Collection
Interview with Claude Picasso Paris, 2019 Claude Ruiz Picasso (Boulogne-Billancourt, France, 1947), artist, film-maker and son of Pablo Picasso and Françoise Gilot. In this interview, Claude Picasso offers his view of the process to transfer Guernica to Spain following the death of his father in 1973: the conflictive relationship with Roland Dumas, executor of the artist’s will, his family’s grievance over the moral right of the work, and its installation in the Museo Reina Sofía.Access Oral History The Collection
Interview with Roland Dumas Paris, 2019 Roland Dumas (Limoges, France, 1922), lawyer, politician and executor of Pablo Picasso’s will. Dumas was in charge of drafting the artist’s will with respect to Guernica, guaranteeing that both the painting and its preparatory works would only reach Spain once public liberties representative of democratic States were reinstated, and regardless of government.Access Oral History The Collection
The Powers of Memory in the Little Things Closing lecture given by Judith Butler On 8 October 2020, in the framework of the 2020 edition of the Politics and Aesthetics of Memory Chair, directed by Chilean theorist Nelly Richard, American feminist theorist Judith Butler gave a lecture based around the idea of memory outside hegemonic readings of history. She began by reflecting on the virtual medium of the lecture she was presenting, on a situation that brings us together but creates a longing for contact and encounter as it leaves us in solitude. She went on to refer to the right-leaning and volatile political situation in the United States on the eve of the election and in the midst of the pandemic, characterising it is as necropolitical exhilaration. She also contrasted this context with the resurgence of Black Lives Matter, at once a movement and a slogan, and also an archive of live, just as Richard has put forward. Finally, her lecture centred on a reading of Marx from a feminism perspective, connecting the exist/resist of Palestinian claims and the performance “Un violador en tu camino” by Chilean collective Las Tesis. The lecture was followed by a conversation with Nelly Richard and Ana Longoni.Judith Butler is Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory at the University of California, Berkeley, and holds the Hannah Arendt Chair and is a Professor of Philosophy at The European Graduate School (EGS). Her work, initially focused on gender studies, also sets forth notable reflections in the field of ethics, politics and human rights. She is one of the foremost intellectuals of our time. Activities Seminars and conferences
play pause stop Download Art at 33 revolutions per minute An interview with Emanuele Carcano Exhibitions Library
El Tiempo Claudia Claremi El Tiempo is a project which, through the collective production of an experimental film, explores the intangible, and the personal and collective memories of the Museo’s team of volunteers, delving deeper into different works from the Collection. Activities Education
Mondrian and De Stijl The work of the Dutch artist Piet Mondrian within the context of the movement De Stijl [The Style] set the course of geometric abstract art from the Netherlands and contributed to the drastic change in visual culture after the First World War. Exhibitions
Anna-Eva Bergman From North to South, Rythms Norwegian artist Anna-Eva Bergman (1909–1987) viewed rhythm as a structural element of painting, a rhythm stemming from the employment of specific materials — metal foil, gold leaf, silver, copper — forms, lines and colours. Exhibitions
In the Face of Violence Interview with Stephen F. Eisenman Eisenman explores issues with ethical and disciplinary significance, elucidating a critical standpoint and acknowledging the ideological ties that join somewhat distant pasts to the present we inhabit. Seminars and conferences Centro de estudios
Disonata Art in Sound Up to 1980 This exhibition displays a selection of forms, genres, approaches and unique examples as it spans different initiatives that moved beyond pre-defined categories in modern and contemporary art until 1980 Exhibitions
Concha Jerez Our Memory Is Being Stolen Concha Jerez has been working to develop an intensive creative project since the 1970s, setting out from conceptual art. Exhibitions