A generation of artists, grouped together under the term "Arte Povera", emerged in Italy in the second half of the 20th century who, influenced by Piero Manzoni and Lucio Fontana’s artwork, and turning to the use of simple, everyday materials, realised a series of works that, without relinquishing a kind of poetic awareness of the world, were profoundly critical of industrialisation and consumer society. Of these artists, Luciano Fabro was the one with a more emphatic connection to the emergence of a new and revised approach located in the tradition. Thus he explored the creative possibilities and perspectives that, in a country like Italy, continued to open the ruins of the past.
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