Olga de Soto’s research on dance as a medium, and its history, reception and transmission, makes her a key figure in reflecting not only on the discipline but also on other questions. This new project—framed as part of the Museo Reina Sofía’s Fissures programme—revisits and expands upon a research project undertaken by de Soto over more than a decade ago on Der grüne Tisch (The Green Table, 1932), an anti-war piece by German choreographer which holds a mythical the history of contemporary dance.