This exhibition chronologically parses Soledad Sevilla’s trajectory by exploring more than a hundred works, stretching from the early part of her career in the University of Madrid’s Computing Centre to her current output, some of which has been made specifically for this occasion. The retrospective underscores the artist’s assertion that she has painted the same painting her whole life, connecting her early works in the 1960s with recent series.
Related Exhibitions
Related authors
Autores relacionados